‘Haunted machines & wicked problems’ was the theme for Impakt Festival 2017. Tobias Revell & Natalie Kane, whose critical work focuses on relationships with technology, curated a program made of ‘artists and speakers whose imagination offers an alternative to both irrational fear and blind faith’. More specifically the program ‘examines how our relationship with technology determines, and is determined by, the stories we tell. As our technological landscape becomes increasingly complex, we are embracing myth, magic and monsters to explain our relationships with our devices.’As my own practice is about exploring the ways in which we create intimate relationships with domestic objects, I was thrilled to fly down to Utrecht to attend. Continue reading
This post is the final part of a trilogy of posts that document my initial (and crude) investigations into Speculative Design and all its friends.
Part 1, is a collage of the snippets that tickled me the most in my initial (online) investigation on Speculative, Critical and Fiction Design.
Part 2, highlights from the book: ‘Speculative everything’ by Anthony Dunne & Fiona Raby.
This post grabs relevant passages from Speculative – Post-Design Practice or New Utopia? available from: https://www.researchgate.net/publication/303686592_Speculative_-_Post-Design_Practice_or_New_Utopia
Exhibition website: http://speculative.hr/en/
Out of all the reading I have done, this is the most complete take on things, perhaps because it looks at all the people and concepts that are mentioned on the other 2 parts and makes the connections between them clear. It also adds a more global lenses to the thing and exposes the western centricity of it all.